Gil Rose

Conductor

Boston Modern Orchestra Project

The Boston Modern Orchestra Project continues to put every other symphony orchestra in the country to shame, at least in terms of its fresh, varied recordings. BMOP’s music director Gil Rose is not just a fine conductor, but a peerless curator, sniffing out - and commissioning - off-trend, unheralded, and otherwise underplayed repertoire that nevertheless holds to unflailingly high standards of quality. In doing so, he’s built an indefinable, but unmistakable, personal aesthetic.
— WXQR Radio

Recently named Musical America's 2016 "Ensemble of the Year" (the first orchestra ever to receive the honor), The Boston Modern Orchestra Project (BMOP) is widely recognized as the leading orchestra in the United States dedicated exclusively to performing new music. Its signature record label, BMOP/sound, is the nation’s foremost label launched by an orchestra and solely devoted to new music recordings.

Founded in 1996 by Artistic Director Gil Rose, BMOP affirms its mission to illuminate the connections that exist naturally between contemporary music and contemporary society by reuniting composers and audiences in a shared concert experience. In its first nineteen seasons, BMOP established a track record that includes more than one hundred performances, over a hundred world premieres (including forty commissioned works), two Opera Unlimited festivals with Opera Boston, the inaugural Ditson Festival of Contemporary Music with the ICA/Boston, and sixty-two commercial recordings, including forty-one CDs from BMOP/ sound.

In March 2008, BMOP launched its signature record label, BMOP/sound, with the release of John Harbison’s ballet Ulysses. Its composer-centric releases focus on orchestral works that are otherwise unavailable in recorded form. The response to the label was immediate and celebratory; its five inaugural releases appeared on the “Best of 2008” lists of the New York Times, the Boston Globe, National Public Radio, Downbeat, and American Record Guide, among others. BMOP/sound is the recipient of five Grammy Award nominations: in 2009 for Charles Fussell: Wilde; in 2010 for Derek Bermel: Voices; and three nominations in 2011 for its recording of Steven Mackey: Dreamhouse (including Best Classical Album). The New York Times proclaimed, “BMOP/sound is an example of everything done right.” Additional BMOP recordings are available from Albany, Arsis, Cantaloupe, Centaur, Chandos, ECM, Innova, Naxos, New World, and Oxingale.

In Boston, BMOP performs at Jordan Hall and Symphony Hall, and the orchestra has also performed in New York at Miller Theater, the Winter Garden, Weill Recital Hall at Carnegie Hall, and The Lyceum in Brooklyn. A perennial winner of the ASCAP Award for Adventurous Programming of Orchestral Music and 2006 winner of the John S. Edwards Award for Strongest Commitment to New American Music, BMOP has appeared at the Bank of America Celebrity Series (Boston, MA), Tanglewood, the Boston Cyberarts Festival, the Festival of New American Music (Sacramento, CA), and Music on the Edge (Pittsburgh, PA). In April 2008, BMOP headlined the 10th Annual MATA Festival in New York.

BMOP’s greatest strength is the artistic distinction of its musicians and performances. Each season, Gil Rose, recipient of Columbia University’s prestigious Ditson Conductor’s Award as well as an ASCAP Concert Music Award for his extraordinary contribution to new music, gathers together an outstanding orchestra of dynamic and talented young performers, and presents some of the world’s top vocal and instrumental soloists. The Boston Globe claims, “Gil Rose is some kind of genius; his concerts are wildly entertaining, intellectually rigorous, and meaningful.” Of BMOP performances, the New York Times says: “Mr. Rose and his team filled the music with rich, decisive ensemble colors and magnificent solos. These musicians were rapturous—superb instrumentalists at work and play.”